London Fashion Week Men’s is back for it’s tenth edition. Opened by The Mayor of London, Sadiq Khan, LFWM is expected to be bigger and better than ever before.
“London Fashion Week Men’s is a truly international celebration of fashion, design and creativity. As Mayor, I’m proud to be able to provide funding to support this event and the next generation of London designer,” explained Khan. “London has been at the forefront of modern fashion, shaping and defining the latest styles and trends for decades. Today, press and buyers from as far away as Beijing and Seoul and Montreal will flock to London Fashion Week Men’s, showing that London is truly open to business, talent and visitors from across the globe.”
Here’s some of my favourites from Day One as it happens:
Topman Design
First up it’s Topman Design with a collection inspired by the archetypal figure of the nomadic British traveller. Nineties-style psychedelic colours and oversized pieces made for effortlessly cool looks that will take you back to your youth!
Barbour
Reconnecting with motorcycle culture, Barbour returned to heavy outwear in blacks, blues, and greys, adding only a slight splash of yellow. Poet and artist Robert Montgomery painted poetic words onto the brands signature jackets.
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Bobby Abley
With a mix of iconic imagery and nostalgia, Abley had juxtaposed streetwear silhouettes with martial arts, in reference to the Power Rangers. Trailing straps tied around the wrist and waist, in fur, matched with Diamanté stone name engraved chokers and ‘power up snapbacks’ the garments defined the march towards less gender-specific clothing, combining masculine traits with a more feminine touch.
Xander Zhou
The collection was a triumphant celebration of an often misunderstood youth culture. Dark, mysterious and brutal. “We are the new generasian” pronounced Zhou, which was an open-response to Asia’s significant role within Western culture; and the power and influence Asia has today within fashion.
Liam Hodges
This season, the models waists were accentuated with T-Shirts and hoodies tucked into high-waisted, wide leg trousers, cinched with matching belts. Knitwear jumpers were customised with frayed necklines, and drooping knitted text like graffiti paint. A collaboration with the heritage hatmaker, Christy’s, made references to Stanley Kubrick’s A Clockwork Orange with reconstructed canvas bowler hats in black and white, contrasting with the other millinery styles; mink lined caps and frayed beanie hats that were more wearable and on trend with the rising skate scene.
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